photo summit '08 report

Posted by Au Lim On Tuesday, August 19, 2008
Clay Blackmore shows the ropes

my body still aches from the 3 day event that just concluded yesterday but let me just sum it up in one word: SULIT! For P4K, this workshop with 2 renowned, seasoned photographers, Parish Konahim and Clay Blackmore was simply that: so worth it. i was expecting they would be there to facilitate a talk for maybe a few hours each but i was half surprised that they were BOTH there for the WHOLE 3 days--from the day-long photoshoot on the first day to the 2 days of indoor seminars.


to top it all, these masters of the craft are both stand-up people (i'm starting to think most photographers are!). they're so cool and funny especially Mr. Clay who had such high energy and enthusiasm for sharing his techniques. even Mr. Parish who seems to be a more reserved kind of person than Mr. Clay was cracking jokes with him. all through the 3 days, the mood was upbeat and it was often hilarious watching these 2 world class photographers taking pot shots at each other.

Mr. Parish styling the beautiful model

i think it was plus points for the organizers to think of combining such diverse talents as these 2 personalities. Mr. Parish, against whose name this event was marketed, is a well respected and highly talented fine art photographer and who has the creative, sensitive soul of a true artist. his work just speaks for itself. his talk was all about following one's passion and listening to one's heart over mind when it comes to our photography work. watching him style the models and use his creativity for us to have a beautiful shoot was the learning experience from him.

Clay posing the model, Masha:"body to the light..."

however, the sparkling gem in this event was Mr. Clay and his effusively delivered precise techniques for studio work. he shares his valuable years of experience working with Monte Zucker and his subsequent practice by himself . he drums to his audience repeatedly his techniques: basic pose and feminine pose, camera height vs. camera position, and full face, 2/3's & back 2/3's -- i can never forget those now...hahaha... but i think it IS the effective way to get it: by repetition and tons of examples and shoots. and so the stroke of genius on the part of the organizers were combining these 2 talents: one who shows the fine art aspect of photography, and another who shows the other side, commercial photography, because this is what will get the bills paid.

i don't know i will ever get to the end of processing all the shots i came away with on those 3 beautiful days of learning and interacting not only with my fellow photographers but also with those breathtakingly lovely models--the most beautiful i have had the chance to shoot thus far. see some samples below and here and tell me if i'm not speaking the truth! {also occasionally check out my daily photo blog posts for some of my most favorite and choicest photos from this event and at this Flickr folder for the eventual updates to the photos}





there were a just few snags in the whole bustle such as some late announcements that lunch will not be served but these were compensated with heavy snacks and a free Digital Photography magazine. i really wish though that the heavy snack was served as lunch instead because i can hardly eat them anymore by the time they were served being still full from lunch(which we had to get outside) and being still hyped from the photoshoots.

after 3 days of this event, i think my horizon in photography have been expanded and (i would like to think, at least) my skill leveled up. how can it not when these 2 mentors have worked hard even in this short time to pummel in my brain those lessons and show us by example how it is done? it now remains up to me to practice what they have preached to ensure that i do not forget. yup, the organizers, FPPF and DPP, were successful in putting it all together and they deserve a big KUDOS! if they line up these kinds of talents again from facilitators to models, then i'm sure to be there too next year.


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